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For his third consecutive appearance at the festival, Thomas Kahn has the privilege of closing the event. But this year, this ebullient artist is not only present on stage. Throughout the 2025 edition, he has accompanied the organizers of the Saint-B'Art Livre et Jazz Festival. Interview.
What made you want to come back to Saint-Barth to take part in the Livre et Jazz Festival?
Thomas Kahn: There are several reasons! First of all, the team, with Christian (Hardelay) and Corinne (Hennequin), is like a family. In terms of atmosphere, it changes everything. Then there's the location, of course. It's always a blessing for someone like me, who comes from mainland France, to be able to come and work in the Caribbean. What's more, some magical things have happened in previous years, and that makes me want to come back.
This year, you're not "just" here as a guest artist, are you?
I'm assisting Christian and Corinne with the programming. That's something completely new for me. It's been a great opportunity to get in touch with other artists, to forge links and, above all, to introduce people to this wonderful festival. To share good times and pass on the torch, too! (Thomas Kahn also lent a hand throughout the festival, helping out the technicians, not to mention the fact that it was his musicians who accompanied the artist JP Bimeni during his three concerts, editor's note).
What's so special about this festival?
It's on a human scale, it's free and it's open to everyone. It also gives artists the chance to meet the island's children (through school visits, editor's note). In fact, it's not just a festival: it's a cultural experience for the whole island. So helping out, giving time and getting involved, fits in well with my philosophy.
You'll be playing at the Barthélemy (yesterday, Thursday), the Yacht Club and, to close, the Arawak. How do you adapt to such different venues?
I'm not someone who likes to do the same thing every night. I have a basic list, and depending on the people and the atmosphere, I adapt. My idea is always to create a real symbiosis with the audience.
Specifically, what can audiences expect this year?
In September, I had an operation on my vocal cords. I returned to the stage a month ago. The change is quite subtle and is most noticeable at the level of emotion, with a broader expressivity. I like to create festive moments, but also move towards heavier, sadder emotions. But sunshine and light are always part of the story! And then I saw the other musicians on stage and now I can't wait to get there! "
